Korg MS2000BR Microphone User Manual
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1 MS2000B / MS2000BR Owner's Manual Addendum MS2000B / MS2000BR Zusatzanleitung Thank you for purchasing the MS2000B/BR Analog Modeling Synthesizer. To ensure trouble-free enjoyment, please read this manual carefully and use the product as directed. Vielen Dank für den Kauf des MS2000B/BR Analog Modeling Synthesizers. Um ein lange und problemlose Nutzung sicherzustellen, sollten Sie diese Anleitung sorgfältig lesen und das Instrument entsprechend bedienen. The MS2000B provides an XLR microphone jack on the front panel. Also included is a matching gooseneck microphone that can plug directly into this jack, providing immediate access to the Vocoder functions (see “MICROPHONE CONNECTIONS”). In addition, the MS2000B and MS2000BR contain many new internal programs compared to the original MS2000/R (see “VOICE NAME LIST“). Der MS2000B besitzt eine XLR Mikrofon-Buchse auf dem Frontpanel und ein, im Lieferumfang enthaltenes, passendes Schwanenhals-Mikrofon, welches Ihnen die Benutzung der Vocoder-Funktionen sofort ermöglicht. (siehe „ANSCHLUSS DES MIKROFONS“). Außerdem wurden viele der Werkssounds für den MS2000B/BR komplett neu programmiert (siehe „VOICE NAME LIST“). The specifications and functions remain the same as for the MS2000 / MS2000R. Please read and refer to the MS2000 / MS2000R Owner's Manual. Die technischen Daten und Funktion sind ansonsten identisch mit denen des MS2000/R. Zur Bedienung studieren Sie bitte daher die bisherige MS2000/MS2000R Anleitung. ANSCHLUSS DES MIKROFONS (nur MS2000B) MICROPHONE CONNECTIONS (MS2000B ONLY) Zum Anschluss des beiliegenden Mikrofons bitte ausschließlich die dafür vorgesehene frontseitige Mikrofonbuchse verwenden, nicht die AUDIO IN 2 Klinkenbuchse. Do not use the AUDIO IN 2 jack when using the microphone provided. Use only the microphone included with the MS2000B when using the front panel mic input jack. Set the AUDIO IN [2/VOICE] knob to zero when you are not using the AUDIO IN 2 jack or the mic input jack. Falls Sie weder den Mikrofoneingang noch die AUDIO IN 2 Buchse verwenden, drehen Sie den AUDIO IN [2/VOICE] Regler zurück auf „0“. Do not apply pressure to the neck of the microphone, and do not bend it more than necessary. These actions may cause damage to the microphone, etc. Üben Sie keinen Druck auf den Schwanenhals des Mikrofons aus und biegen Sie ihn nur soviel wie notwendig, da sonst das Mikrofon beschädigt werden könnte. Achten Sie beim Anschluss des Mikrofons darauf, dass der integrierte XLR Stecker korrekt in die Buchse gesteckt wird (Die Schraube am unteren Ende des Mikrofons muss nach hinten weisen). Zur Bedienung der Vocoder-Funktion lesen Sie bitte die Seite 17 der MS2000/MS2000R Bedienungsanleitung. INSTALLING THE MICROPHONE Please refer to “Using the vocoder function” (page 17 of the MS2000/MS2000R Owner's Manual). When connecting the MS2000B microphone, make sure the microphone and the mic input jack are facing the same way (the screw on the base of the microphone should face the rear of the MS2000B) Mic base Um Beschädigungen vorzubeugen, halten Sie das Mikrofon während des Anschließens und Abnehmens am unteren Ende fest. Hold the microphone by the base when connecting and disconnecting. ABNEHMEN DES MIKROFONS DISCONNECTING THE MICROPHONE Drücken Sie den Sicherungsstift der XLR-Buchse nach unten und ziehen sie währenddessen das Mikrofon nach oben heraus. Halten Sie dabei das Mikrofon am unteren Ende. Push down on the latch lever of the mic jack and, while holding the microphone by its base, pull the mic straight up and out of the mic jack. Sicherungsstift Latch lever PUSH PUSH Be sure to depress the latch lever on the mic jack when removing the microphone. Griff MS2000B/MS2000BR Mode d’emploi Tout d’abord nous tenons à vous remercier de votre achat du synthétiseur à modélisation analogique MS2000B/BR. Afin de profiter pleinement de votre achat, veuillez lire attentivement ce manuel, et utiliser votre appareil dans des conditions correctes. Le MS2000B possède une entrée microphone sur la face avant, et un microphone est inclus pour la fonction Vocodeur. (Voir “COMMENT INSTALLER L’ACCESSOIRE MICROPHONE FOURNI”). Quelques programmes internes ont été modifiés par rapport au MS2000 (voir “VOICE NAME LIST“). Les caractéristiques et fonctions sont les mêmes que les MS2000/MS2000R. Veuillez S ‘il vous plait lire et vous référer au mode d’emploi de ces modèles. COMMENT INSTALLER L’ACCESSOIRE MICROPHONE FOURNI (SEULEMENT MS2000B) S’il vous plait, ne pas utiliser l’entrée AUDIO IN2 quand vous utilisez le microphone fourni. Vérifiez que vous utilisez le microphone fourni uniquement avec l’entrée Micro. Réglez le bouton AUDIO IN [2/VOICE] sur zéro quand vous n’utilisez pas l’entrée AUDIO IN 2 et l’entrée Micro. Ne pas trop manipuler le corps du micro et ne pas le tirer plus que nécessaire, cela pourrait provoquer des déconnections ou des troubles. INSTALLATION DU MICROPHONE. S’il vous plait veuillez vous référer au chapitre “Utilisation de la fonction vocoder“ (page 17 du mode d’emploi des MS2000 et MS2000R). Quand vous connectez le Microphone fourni, veillez à ce que la connectique du Micro et la prise d’entrée coïncident (une vis sur la tige du Micro est située sur la face arrière). Griff Veuillez maintenir la tige du Microphone fourni quand vous l’installez ou vous le démontez. DEMONTAGE DU MICROPHONE Poussez le petit levier et en même temps tirer le Microphone tout en maintenant la prise en face avant. PUSH petit levier 2003 KORG INC. 1504 DTH Printed in Japan Voice Name List No. A01 A02 Name UnisonRingLD Flashin'Pad Category Synth-Lead Seq/Motion Mode Single Single A03 X-ModBass Synth-Bass Dual A04 A05 A06 A07 A08 IDM Pad HyperForce Pan Tran Razor Blade DetuneBass Strings/Pad Synth-Hard Synth-Soft Seq/Motion Synth-Bass Single Single Single Single Single A09 High Voltage Synth-Lead Dual A10 A11 AnalogBell FonkaDeli Percussive/Bell Keyboards Single Single A12 AutoTrance Seq/Motion Dual A13 4OSC"m7" Synth-Hard Dual A14 A15 A16 B01 B02 B03 Digy Bass Domin8or FilterString 70'sFunkLead SawSaw House Bass Synth-Bass S.E/Drum Strings/Pad Synth-Lead Seq/Motion Synth-Bass Single Single Single Single Single Single B04 Stairs Pad Strings/Pad Dual B05 B06 B07 B08 B09 Poly Line Ice Field Fairies Line Bass ModLead Synth-Hard Synth-Soft Seq/Motion Synth-Bass Synth-Lead Single Single Single Single Single B10 RingPerc Percussive/Bell Dual B11 Reed Piano Keyboards Single B12 Filter Muzik Seq/Motion Dual B13 B14 B15 B16 C01 C02 C03 RingChord Warp Bass KillaBeez Evolution TriangleLead GatedSyncBas Bass Machine Synth-Hard Synth-Bass S.E/Drum Strings/Pad Synth-Lead Synth-Bass Synth-Bass Single Single Single Single Single Single Single C04 Snowdance Strings/Pad Dual C05 C06 C07 C08 C09 C10 C11 Stab Saw Wheeler Pad SynthHarp AcidRingBass Dirty Sync ElektricArpe RockOrgan Synth-Hard Strings/Pad Seq/Motion Synth-Bass Synth-Lead Percussive/Bell Keyboards Single Single Single Single Single Single Single C12 Ready 2 Air Seq/Motion Dual C13 C14 C15 C16 Sweep"min" TechRingBass Echo Park PWM Strings Synth-Hard Synth-Bass S.E/Drum Strings/Pad Single Single Single Single D01 Uni Synth Synth-Lead Dual D02 D03 D04 D05 D06 Electrick Zap Bass Reactor Pad TheMehT Astral Vox Seq/Motion Synth-Bass Strings/Pad Synth-Hard Synth-Soft Single Single Single Single Single D07 Water Edge Seq/Motion Dual D08 D09 D10 D11 Phunk Bass Ana Fuzz Deep Bell PhaserClav Synth-Bass Synth-Lead Percussive/Bell Keyboards Single Single Single Single D12 Trip Planet Seq/Motion Dual D13 D14 Glass ReverseBass Synth-Hard Synth-Bass Single Single D15 Diginator S.E/Drum Dual D16 Ana Strings Strings/Pad Single SEQ 1 Cutoff LFO2 Frequency T1 Pitch T2 Cutoff LFO2 Frequency Pitch Panpot Osc2 Semitone Pitch T1 Osc2 Semitone T2 Osc2 Semitone Patch 3 Intensity Cutoff T1 Pitch T2 Osc2 Semitone T1 Pitch T2 Pitch Pitch Patch 1 Intensity Cutoff Cutoff Osc2 Semitone EG1 Attack Time T1 Panpot T2 Cutoff EG2 Attack Time Osc1 Control2 Pitch Osc2 Semitone T1 Osc1 Control2 T2 Resonance Patch 1 Intensity T1 Pitch T2 Noise Level Osc1 Control2 Resonance Noise Level LFO1 Frequency Pitch Osc2 Semitone Pitch T1 Osc1 Control2 T2 Cutoff Osc2 Tune Cutoff Cutoff Pitch Osc2 Semitone EG2 Decay Time Panpot T1 Cutoff T2 Pitch Pitch Patch 2 Intensity Level Resonance T1 Step Length T2 Step Length Cutoff EG1 Intensity Pitch Step Length Osc2 Semitone Osc1 Control2 T1 Noise Level T2 Pitch Pitch Cutoff EG1 Intensity Patch 1 Intensity Level T1 Level T2 EG2 Decay Time Pitch Pitch T1 Panpot T2 Pitch Resonance SEQ 2 Panpot Cutoff EG1 Intensity Cutoff Pitch Cutoff Cutoff Cutoff Cutoff Cutoff Cutoff EG2 Release Time EG2 Release Time Cutoff EG1 Intensity Pitch EG2 Sustain Level EG2 Sustain Level Cutoff Osc2 Tune Pitch Resonance EG2 Release Time Cutoff EG1 Intensity Resonance Noise Level Cutoff Level Panpot Cutoff SEQ 3 Panpot Panpot Panpot Resonance Level Panpot No. E01 E02 E03 Name Rez Lead DWGS WaveSeq AcidSawBass Category Synth-Lead Seq/Motion Synth-Bass Mode Single Single Single E04 TickerPad Strings/Pad Dual E05 E06 E07 E08 E09 E10 E11 Slippy Pad Synth Brass S&H Signal Magnum Bass Freq Lead BleepsPerc Brett Ped Synth-Hard Synth-Soft Seq/Motion Synth-Bass Synth-Lead Percussive/Bell Keyboards Single Single Single Single Single Single Single E12 Auto Disco Seq/Motion Dual E13 NoisyHit Synth-Hard Dual E14 E15 E16 RingSyncBass Stutter StringMachin Synth-Bass S.E/Drum Strings/Pad Single Single Single F01 Far Horizon Synth-Lead Dual F02 Burnin'Rave Seq/Motion Dual F03 F04 F05 F06 Sub Bass Stream Pad Square Comp Organ Bass Synth-Bass Strings/Pad Synth-Hard Synth-Bass Single Single Single Single F07 Tap Lead Seq/Motion Dual F08 Banana Bass Synth-Bass Dual F09 F10 F11 UnisonSqurLd Bound Ball Lounge Organ Synth-Lead Percussive/Bell Keyboards Single Single Single F12 Zoop Mania Seq/Motion Dual F13 "M3rd"Chord Synth-Hard Dual F14 F15 F16 G01 G02 G03 G04 G05 G06 G07 G08 Jami Bass Bad Dream Need4Speed Turn Wheel Trip 2 Ibiza 80's Bass Motion Pad Golden Synth NuSkoolDrop Synth Lana MG Bass Synth-Bass S.E/Drum Seq/Motion Synth-Lead Seq/Motion Synth-Bass Strings/Pad Synth-Hard Synth-Bass Seq/Motion Synth-Bass Single Single Single Single Single Single Single Single Single Single Single G09 Bass&5thLead Split Prog Split Off G10 ElectroShock Percussive/Bell Dual Off Off Off Off G11 Pulse Comp Keyboards Single G12 Snow&Ice Split Prog Split G13 G14 G15 Century Stab Drive Bass DooM Synth-Hard Synth-Bass S.E/Drum Single Single Single G16 stROBOsCOPe Split Prog Split H01 H02 H03 H04 H05 H06 H07 H08 H09 H10 H11 H12 H13 H14 H15 H16 CleanVocoder WispaVocoder DarkVocoder Vocoder Ens Vocoder Cho Vocoder 5th Bass Vocoder VoiceChanger VocoderPulse Vocoder Squ Vocoder Wah Vocoder Vox Vocoder DWGS Vocodevil AudioIn INIT INIT Program Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog Vocoder Prog AudioIn Init Prog Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Vocoder Single Single ARPEGGIATOR Off Off Off Off Off Off Random Off Off Patch 4 Intensity Osc1 Control2 Level Cutoff Cutoff Panpot Cutoff EG1 Intensity Cutoff EG1 Intensity Step Length Level Patch 2 Intensity Cutoff Alt1 Off Trigger Off Off Off Off Off Off Off Alt1 Off Off Alt1 Off Off Up Off Osc2 Semitone Cutoff Panpot Osc2 Level Resonance Patch 4 Intensity Panpot Panpot Panpot Level EG2 Attack Time Pitch Resonance Patch 1 Intensity Cutoff Panpot EG2 Release Time Cutoff Resonance Level Level LFO2 Frequency Pitch Cutoff Panpot Panpot Level Panpot Panpot Cutoff Cutoff EG1 Intensity Pitch Cutoff EG1 Attack Time Cutoff EG2 Release Time Cutoff Cutoff Cutoff Level Panpot Level Panpot Panpot Pitch Osc1 Control1 Noise Level Osc1 Control2 Cutoff Pitch Cutoff EG1 Intensity Osc2 Semitone Osc2 Semitone Panpot Osc1 Control1 Osc1 Control2 Level Off Off Off Off Off Off Off Off Random Off Off Up Off Off Random Off Off Trigger Off Off Off Off Alt2 Osc2 Level Panpot Cutoff Cutoff Level Panpot Osc1 Level Level Cutoff Osc2 Semitone Pitch Panpot Cutoff Off Off Level Cutoff Patch 3 Intensity Off Off Off Off Off Up Off SEQ 1 Osc2 Level Osc1 Control2 Cutoff EG1 Intensity T1 EG1 Decay Time T2 Osc1 Control2 Pitch Osc2 Semitone Panpot Pitch Patch 1 Intensity Noise Level Osc1 Control2 T1 Pitch T2 Cutoff T1 EG1 Decay Time T2 Cutoff Pitch Patch 4 Intensity Cutoff T1 Osc2 Level T2 Osc2 Level T1 Cutoff T2 Panpot Pitch Step Length Cutoff EG1 Intensity Pitch T1 Cutoff T2 Pitch T1 Pitch T2 Pitch Pitch Osc1 Control1 Panpot T1 Patch 4 Intensity T2 Osc2 Level T1 T2 Osc2 Semitone Osc2 Level LFO1 Frequency Pitch Osc2 Level Cutoff Pitch Patch 1 Intensity Osc2 Tune Patch 1 Intensity Panpot Pitch T1 Pitch T2 Panpot T1 Pitch T2 Cutoff Panpot T1 Osc1 Control2 T2 Osc2 Semitone Patch 1 Intensity Resonance Pitch T1 Pitch T2 Osc2 Semitone SEQ 2 EG1 Attack Time Panpot Level EG2 Sustain Level Cutoff Cutoff Panpot LFO2 Frequency Patch 3 Intensity SEQ 3 Panpot Cutoff Pitch Cutoff Cutoff Cutoff Pitch EG2 Sustain Level Panpot Osc1 Control2 Alt1 Off Off Up Off Off Random Off Up Noise Level Resonance Cutoff LFO2 Frequency EG2 Release Time Osc2 Tune Osc2 Tune ARPEGGIATOR Off Off Off EG1 Decay Time Panpot Patch 2 Intensity Patch 1 Intensity Cutoff Cutoff Off Off Off Off Off Trigger Cutoff Level EG1 Attack Time Cutoff Osc2 Semitone Cutoff Cutoff Cutoff Panpot Panpot Cutoff EG2 Decay Time Osc1 Control1 Osc1 Control1 EG2 Attack Time Cutoff Panpot Off Off Off Off Up Panpot Panpot Cutoff Patch 2 Intensity Pitch Level Off Off Off Off Down Off Cutoff Cutoff Cutoff EG1 Intensity Osc1 Control1 Resonance Panpot Cutoff Patch 2 Intensity Noise Level Osc1 Control1 Pitch Cutoff Patch 3 Intensity Cutoff Cutoff LFO1 Frequency Step Length Panpot Cutoff Step Length Off Off Trigger Off Off Off Off Off Off Up Off Off Up Level Osc1 Control1 Osc2 Level Off Cutoff EG1 Intensity EG2 Release Time Cutoff Cutoff Cutoff EG1 Decay Time Off Off Off Off Osc2 Semitone Cutoff EG1 Intensity Panpot Alt1 Off Off Off Off Off Off Off Off Off Off Off Off Off Off Trigger Off